The photo culminate arrangement of Greek picture taker George Digalakis is at the same time established in the characteristic world and quietly dreamlike. His photos are covered in unmistakable stillness and baffling despairing. They provoke watchers to lose all sense of direction in the scene and take advantage of their sleeping subliminal.
With an inclination for scenes and an affinity for moderation, he skillfully and smoothly catches the downplayed excellence of nature. Impeccably marvelous shots of solitary trees, foggy skylines, and forsook homes pass on the craftsman’s uncanny capacity to change common scenes and surroundings into cranky magnum opuses. Digalakis frequently uses the nearness of characteristic components (like water) to uplift the natural interest of these conditions. “Water, a component he profoundly adores,” his profile states, “can be found in a large portion of his works, however never as their focal subject. Or maybe, he utilizes the water and the sky as a canvas on which he puts his subjects.”
Notwithstanding his adoration for forlorn scenes and barometrical conditions, Digalakis additionally reliably passes on his basic feelings and imaginative vision through his general way to deal with the specialty. He shoots exclusively in highly contrasting, and frequently decides on a traditionally square arrangement to keep up a moderate tasteful.
The picture taker is additionally an aficionado of utilizing long presentation strategies. This is an inventive strategy to “move the pictures advance far from reality.” He even perspectives the tedious procedure as a key part of his practice, as it gives him an opportunity to “investigate the earth, as well as to feel the scene and envision the last picture.” Together, his eye for piece, his fastidious, specialized approach, and his outstanding thankfulness for the procedure finish in an expressive yet puzzling assortment of work.
Look down to investigate George Digalakis’ delightful accumulation of dreamlike nature photography.