Mind-twisting advanced craftsman Aydın Büyüktaş is back with a progression of distorted photographs that will abandon you scratching your head. As a follow up to his Flatland arrangement, which was shot in his local Turkey, Büyüktaş shot and composited another arrangement of pictures taking after an outing to the United States.
With Flatland II, the Turkish picture taker takes us on an excursion crosswise over America, selecting the commonplace and wonderful spaces that litter the nation. Be that as it may, Flatland II is no common arrangement of travel photographs. Motivated by Edwin Abbat’s 1884 cutting edge novel, Flatland: A Romance of Many Dimensions, Büyüktaş presents these spaces as clearing, smoothed scenes.
“We live in spots that a large portion of the circumstances don’t draw our consideration, puts that change our recollections, puts that the craftsman gives another measurement,” Büyüktaş offers through email, “where the recognitions that for the most part enter our thoughts will be pulverized and new ones will emerge.”
The carefully controlled pictures point out the symmetry and shade of spaces frequently left for conceded. Two months of cautious area scouting were required for the picture taker to choose the ideal situations, while one month—and 10,000 miles—were important to take the elevated shots. The last pictures are computerized compositions utilizing between 18 to 20 photos.
What we’re left with is a progression of advanced composites that make the United States appear like a scene from Inception. Twisting upwards, a focal line tears toward us, sucking us into this other, third measurement.
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